This documentation gives the transcriptions visual form by reproducing a curated selection of excerpts that best represent the drama of the event, with a focus on unscripted moments in the program.Snippets of speech are reproduced in a poetic format by intuitively breaking lines of text. These recollected transcripts dictate the reader’s perception of the content by emphasizing the often absurd and outlandish nature of what was said.
The typeface is a reproduction of a font used on Corona Data Systems’ Cordata Portable in the early 1980s. All illustrations were made by keyboard input using the glyphs included in each font. This alludes to how the hippie movement, the members of which were central to the conflict that took place in Aspen, morphed into Silicon Valley during this era, when,
“computers got common enough for funky hands to lay hold of them and to do tricks for funky heads ... beginning efforts to domesticate computers. Good intro to life with dumb-fuck genius machines.”1
1 Stewart Brand, ed., The Last Whole Earth Catalog (Menlo Park: Portola Institute, 1971): 321–322.
An identity for an agile, Seattle-based product development duo servicing some of tech's biggest companies.
An identity for an agile, Seattle-based product development duo servicing some of tech's biggest companies.
A website that echoes an art fair’s contemplative pace, drawing design inspiration from vintage train schedules to evoke themes of arrival, departure, and rhythm.
A website that echoes an art fair’s contemplative pace, drawing design inspiration from vintage train schedules to evoke themes of arrival, departure, and rhythm.
A website and mark for an architecture studio specializing in modern architectural approaches tailored to African environments.
A website and mark for an architecture studio specializing in modern architectural approaches tailored to African environments.
An identity for a publisher's fair that reflects access, community building, and references the architecture of one of Chicago's most historic buildings.
An identity for a publisher's fair that reflects access, community building, and references the architecture of one of Chicago's most historic buildings.
Love letters and dream sequences for a Beijing-bsed artist.
Love letters and dream sequences for a Beijing-bsed artist.
A logo for one of Hawai‘i's oldest swimwear companies stepping into a new era.
A logo for one of Hawai‘i's oldest swimwear companies stepping into a new era.
A website to publish PDFs, born out of a temporary obsession during, and briefly, post-grad-school.
A website to publish PDFs, born out of a temporary obsession during, and briefly, post-grad-school.
In the utopian view of the internet, open source enables the free flow of knowledge, remixing, and redistribution, an idea I am entranced by and see within the nature of the basic and un-restricted portable document format (PDF), a familiar child of computing.
In the utopian view of the internet, open source enables the free flow of knowledge, remixing, and redistribution, an idea I am entranced by and see within the nature of the basic and un-restricted portable document format (PDF), a familiar child of computing.
Designing EP covers and a social media campaign of a dream state for an international pop artist.
Designing EP covers and a social media campaign of a dream state for an international pop artist.
A book of responsive writings, drawings, and contemplations on screenwriting, aleatory, and choose-your-own-adventure games from the early internet era.
A book of responsive writings, drawings, and contemplations on screenwriting, aleatory, and choose-your-own-adventure games from the early internet era.
These pages attempt to give form to moments of conflict represented in the audio documentation of the International Design Conference in Aspen in 1970. I transcribed audio recordings of the event from the Special Collections Archive at the Richard J. Daley Library at the University of Illinois Chicago and the audio of a film of the conference by Eli Noyes and Claudia Weill (Cyclops Films, Inc.).
These pages attempt to give form to moments of conflict represented in the audio documentation of the International Design Conference in Aspen in 1970. I transcribed audio recordings of the event from the Special Collections Archive at the Richard J. Daley Library at the University of Illinois Chicago and the audio of a film of the conference by Eli Noyes and Claudia Weill (Cyclops Films, Inc.).
These pages attempt to give form to moments of conflict represented in the audio documentation of the International Design Conference in Aspen in 1970. I transcribed audio recordings of the event from the Special Collections Archive at the Richard J. Daley Library at the University of Illinois Chicago and the audio of a film of the conference by Eli Noyes and Claudia Weill (Cyclops Films, Inc.).